Super Octaver OC-3 by BOSS|Guitar pedal review & Demo

Let’s have a closer look at the Boss Super Octaver OC-3, why don’t we? With three modes that also includes a drive/fuzz mode you do get some more variation in this stomp… Some will like it and some will not, it’s just that effect an octaver has on people I guess.

The Super Octaver OC-3 has one in for guitar and one for bass, so of course I test both even though I don’t really know why you wanna use an octaver for the bass (the sub-bass audience boo’s wildy). And just because I love it so much I also add the Morley Bad Horsie 2 wha – just to make fun even funner.

A big thanks for watching this video. If you wanna see me grow as a guitarist, hopefully, and support that (eventual) progress – subscribe! As always – T H A N K S – to all my subscriber so far, you’re the Best!

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Equipment used:
BOSS Super Octaver OC-3
Morley Bad Horsie 2
Tokai LC107-S (Tokai PAF MK2S)
Marshall DSL20h
Harley Benton G212 Vintage Vertical
Zoom H4n

BOSS Super Octaver OC-3

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#bosssuperoctaver #morleybadhorsie #review

Crunch Distortion by Harley Benton|Review & Giveaway

Let’s start off with a Very Big Thanks – to all of you who like my content of Have Guitar enough to subscribe! This video is a celebration to all of You!! Over 4000 sub’s is a lot more than the “I’ll be happy if 100 people think my videos are good enough to subscribe” that I had in my mind when I started Have Guitar…

So, this is a review of the Crunch Distortion from Harley Benton, sold by Thomann in Germany. And it is also a giveaway of that very pedal that you see and hear in the video! The Crunch Distortion is a very good name of the pedal, that will give you a (in my opinion) raw distorted sound. I like it!

I have made a promise to throw a giveaway for every 1000 sub’s I get. So join in, why don’t you? It’ll be very much appreciated. A big Thanks to all of you who already subscribes!!!

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Index:
01:04 – Marshall Ultra Gain channel – no pedal
01:38 – Controls of the Crunch Distortion (Ultra Gain channel)
05:06 – Marshall Classic Gain – no pedal
05:29 – Crunch Distortion on the Classic Gain channel
07:02 – Crunch Distortion & Gibson Explorer
08:26 – Crunch Distortion & MJT Telecaster
10:00 – End words & giveaway info

Equipment used in this video:
Harley Benton Crunch Distortion
Tokai LC107-S ‘Love Rock’ (Tokai PAF MK2S)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Marshall DSL20h
Harley Benton G212 Vintage Vertical Cab
Zoom H4n recorder

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#crunchdistortion #harleybenton #review

Dr. D MiniStomp by Harley Benton|Pedal review & demo

Time for another pedal frenzy and let’s continue with the Harley Benton MiniStomp series – Dr. D! This is a mellow overdrive that should sound like the famous Dumble amps, well, let’s keep that anticipation level low now.

Not that it sounds bad but I always doubt it when a pedal is said to emulate a very expensive rare amp. Heck, I’m dubious even if it’s supposed to emulate a cheap common amplifier!! So let’s put that aside and just have a listen to how it sounds – good in my humble opinion.

Also to add, seems these inexpensive pedals are selling like crazy over at Thomann. This pedal is currently not available, among many others of the ministomp series. But I’m guessing it will be again in the future.

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Index:
02:39 – Marshall DSL20 Ultra Gain channel, no pedal
03:07 – Ultra Gain channel, Dr. D controls
10:27 – Ultra gain channel, my test settings
11:32 – Marshall DSL20 Classic Gain channel, no pedal
12:20 – Classic Gain channel with Dr. D
15:41 – End words

Equipment used in this video:
Harley Benton Dr. D ministomp overdrive
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Marshall DSL20h
Harley Benton G212 Vintage Vertical Cab
Zoom H4n recorder

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#drd #harleybenton #overdrive

DSL20HR by Marshall|Lined recording

Demo of how the Marshall DSL20HR tube can sound when do a lined recording. In this video I record the Marshall DSL20 both through the emulated out and the FX Loop send. For the latter I use some IR:s (cabinett files) becasue otherwise it would sound like crap.

That’s is really just what this video is about, and it’s actually my first try… it’s how it sounds without any after production, except for adding those IR:s for the FX Loop recordings of course.

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Equipment used:
Marshall DSL20HR
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)

Cab’s/IR:s from:

ML Sound Lab

Audio Assault

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#marshalldsl20hr #linedrecording #demo

Cliffhanger by Live Ready Sound|Kemper profiles demo

Time for a new Kemper rig showcase – this time a brand new pack from Live Ready Sound – Cliffhanger! These profiles recreates the sound from a Dover DA-50 head and this first release gives you a hefty 71 studio and 19 direct profiles!

This pack is more or less metal oriented throughout with many different cab’s and microphones. Of course with those direct profiles you can choose any cab you want as well…

I hope you will enjoy this demo, if you wanna see more – support my channel with a subscription!

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Equipment used:
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
ESP Phoenix II (Seymour Duncan JB/’59)
Kemper Profiling Amp

Profiles used in the recording

Live Ready Sound – Cliffhanger

Dover DA-50 @ Dover Amps

Kemper Profiling Amp

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Contact:
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Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#cliffhanger #livereadysound #kemperprofiles

DSL20 HR by Marshall Amps|Review & Sound demo

Let’s have closer look at the Marshall DSL20HR… again. Last time, it was just me and a buddy having at it in the rehearsal room. This time I have mic’ed the amp and will go through all the controls in more detail.

When it comes to record an amp through microphones I am the first one to confess that I am very far from being any good it. Might be practise will make perfect, who knows?! With that said, it came out pretty good besides the high-gain stuff, that feels a bit over-saturated compared to “the real sound”. Maybe it’s the proximity effect? I just dunno…

Anyways, the Marshall DSL20HR is, according to me, a fantastic little amp. It just sounds great and of course it sounds like a Marshall. The two channel is really separated with the ‘classic gain’ goes from close to clean to classic rock/hard rock gain, the ‘ultra gain’ goes from gain to metal. So, if you’re looking for a good amp for a nice, tame clean tone – look somewhere else.

Hope you liked the video and for future adventures – subscribe to Have Guitar! I will be grateful!!

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Video index
01:27 – All controls 12’clock + gain, Ultra Gain channel
03:07 – All controls 12’clock + gain, Classic Gain channel
04:32 – Treble control, Classic Gain channel
05:59 – Treble control, Ultra Gain channel
07:33 – Middle control, Classic Gain channel
10:07 – Middle control, Ultra Gain channel
12:20 – Bass control, Classic Gain channel
14:24 – Bass control, Ultra Gain channel
15:59 – Presence control
16:49 – Reverb FX
18:25 – My setting, Classic Gain channel
19:17 – My setting, Ultra Gain channel
19:44 – Take a look at the back of the amp
20:50 – End words

Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Röde NT2-a
Shure SM57
Kemper Profiling Amp

Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#marshall #dsl20hr #review

Save Your Love by KISS|Rhythm guitar lesson w Tabs

Time for a rhythm guitar lesson of another great Ace Frehley song – Save Your Love! This song was a part of the Dynasty album, released 1979, and by many considered as the start of KISS’ decline. But the album still has some goodies and this is surely one of them!

As always (almost at least) the song is not that complicated to play but (according to me) well composed and with a lovely hard rockin’ drive to it! Lead guitar and Bass lessons will follow, so stay tuned!

Wanna see more of this? Then feel free to support my channel with a subscription, see link provided below. Comments & likes are also welcome… A very big Space Thank You to all you who do sub already!!!

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Equipment used:
Tokai LC-107S (Tokai PAF MK2S)
ESP Phoenix II (Seymour Duncan JB/’59)
Epiphone Thunderbird Classic IV Pro (Gibson TB Plus)
Trace Elliot Elf bass amp
Kemper Profiling Amp

Profiles used in the recording

Live Ready Sound West Coast Killer (rhythm guitars)

Live Ready Sound Euphoria EL34 (lead guitar)

Countryside Profiles Mars JMP (rhythm guitars)

Kemper Profiling Amp

Trace Elliot ELF Bass amp

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Contact:
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And don’t forget – Fret Nut… Have Guitar!
Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#saveyourlove #kiss #rhythmguitar

Quad Cortex Kemper profiles|Sound demo

Here’s something for you; Kemper profiles from a Neural DSP Quad Cortex! I’ve been glancing at this unit but now I don’t need to buy it, huzzah! Jokes aside, it just struck me as a fun thing to do as ur2funky upload these profiles to the Kemper profiler forum. I still consider getting a Quad Cortex as well, just not right now…

So If you have been living under a rock the Neural DSP Quad Cortex has been a big thing in the guitar world for awhile now. Probably more powered than a Kemper… well, Neural DSP doesn’t keep the lid on as they say “Quad Cortex is the most powerful floor modeler on the planet”. I’m sure they are right, and from what I have heard so far it sounds really good. Check out more through the link provided below.

Thank You for watching, if you wanna support my channel just click the link below! To You who subscribe – Thanks a freakin’ bunch, so glad for your support!!

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Equipment used:
Tokai LC-107S (PAF MK2S)
Schecter Custom E-1 Special Edition VSB (Schecter USA Sunset Strip/Schecter USA Pasadena)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Neural DSP Quad Cortex

Neural DSP Quad Cortex Profiles @ Kemper profiler forum

Kemper Profiling Amp

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (31654987987654654312321)

#quadcortex #kemperprofiles #sounddemo

Swollen Pickle Jumbo Fuzz MKIII by Way Huge/Jim Dunlop|Pedal demo/test/review

A fascination for fuzz pedals, that is my condition doc. That’s right and in this video I am going to take dive into the sea of fuzz to examine the Swollen Pickle Jumbo Fuzz MKIII from Way Huge. I still haven’t figured out why it is called a jumbo fuzz when the size of the MKIII is actually smaller than the previous versions? Well, life is full of mysteries…

So fuzz pedals seems seldom to be about a nice sound. Some people might think that distorted guitars are never fun to listen to but a fuzz almost makes it even worse… but still in a good way. They have a broken character to them and they, according to me, make you fight a little to play those shrimps that goes so easy with an overdrive or a distortion pedal. That might be where fun kicks in!

Anyways, I hope you liked this video. I had some problems to fix the sound so that it sound like what I experienced while playing but I think it came out quite well in the end. Still, just because of this I actually bought a ribbon microphone (SE Electronics X1 R) in the hope of fixing that issue for the future…

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Index:
02:30 – Marshall DSL20HR Ultra Gain channel w/o fuzz
03:08 – Swollen Pickle all controls at 12’o’clock
05:29 – Swollen Pickle Controls: Sustain
08:06 – Swollen Pickle Controls: Low/High volume
08:43 – Swollen Pickle Controls: Filter (tone)
11:12 – SM57 mic only – various settings
12:27 – Marshall DSL20HR Classic Gain channel (clean) tryouts
15:31 – Swollen Pickle with Humbuckers, various settings
18:10 – End words…

Equipment used:
Way Huge Swollen Pickle Jumbo Fuzz MKIII
MJT VFF Telecaster (Nocaster/Twisted Tele)
Tokai LC107-S (Tokai PAF MK2S)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical

Way Huge Swollen Pickle Jumbo Fuzz MKIII @ Jim Dunlop

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#wayhuge #swollenpicklemkiii #pedalreview

Rock and Roll all Nite by KISS|Rhythm & Lead guitar lesson w Tabs

Rock and Roll all Nite by KISS|Rhythm & Lead guitar lesson w Tabs

Here’s a ‘complete’ guitar lesson for Rock and Roll All Nite by KISS. That means rhythm and lead guitars, with tabs and detailed lesson for anyone who needs that. I just figured I should do this as it’s kinda exhausted after all these years and now that’s done. It’s not like I don’t like the song but it has been played so many times over the years…

So, it’s not a very complicated song but that proves you can make a great song with simple means… if you know how-to! An anthem, if you will, that is played at the end of every KISS concert.

Also, for once you will get a “complete” take on the song from my side. This is real drums played with a fantastic drive by Magnus J. We have bass and amazing vocals from Björn ‘Burnie’ Ö. to whom I dedicate this video, rest in peace.

And that’s it! Thanks for watching and I do hope you enjoyed the video. If you wanna see more like this, subscribe!! A big thunderous Thank You to all you already sub!!!

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Index:
00:10 – Play-along with Tabs
03:26 – Rhythm guitars, detailed lesson
07:23 – Lead guitar, detailed lesson
11:57 – End words

Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Tokai LC-107S (PAF MK2S)
Kemper Profiling Amp

KISS Rock and Roll all Nite (studio version)

KISS Rock and Roll all Nite (Alive version)

KISS Dressed to Kill @ Wikipedia

Kemper profiles used for this recording:

Live Ready Sound – Red Mars

Live Ready Sound – Texas Special

Live Ready Sound – Quick Spawn

Live Ready Sound – Euphoria

Live Ready Sound – The Reverend G 120

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (31654987987654654312321)

#rockandrollallnite #kiss #guitarlesson