DSL20 HR by Marshall Amps|Review & Sound demo

Let’s have closer look at the Marshall DSL20HR… again. Last time, it was just me and a buddy having at it in the rehearsal room. This time I have mic’ed the amp and will go through all the controls in more detail.

When it comes to record an amp through microphones I am the first one to confess that I am very far from being any good it. Might be practise will make perfect, who knows?! With that said, it came out pretty good besides the high-gain stuff, that feels a bit over-saturated compared to “the real sound”. Maybe it’s the proximity effect? I just dunno…

Anyways, the Marshall DSL20HR is, according to me, a fantastic little amp. It just sounds great and of course it sounds like a Marshall. The two channel is really separated with the ‘classic gain’ goes from close to clean to classic rock/hard rock gain, the ‘ultra gain’ goes from gain to metal. So, if you’re looking for a good amp for a nice, tame clean tone – look somewhere else.

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Video index
01:27 – All controls 12’clock + gain, Ultra Gain channel
03:07 – All controls 12’clock + gain, Classic Gain channel
04:32 – Treble control, Classic Gain channel
05:59 – Treble control, Ultra Gain channel
07:33 – Middle control, Classic Gain channel
10:07 – Middle control, Ultra Gain channel
12:20 – Bass control, Classic Gain channel
14:24 – Bass control, Ultra Gain channel
15:59 – Presence control
16:49 – Reverb FX
18:25 – My setting, Classic Gain channel
19:17 – My setting, Ultra Gain channel
19:44 – Take a look at the back of the amp
20:50 – End words

Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Röde NT2-a
Shure SM57
Kemper Profiling Amp

Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#marshall #dsl20hr #review

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part II)

This is part II of my review/demo of the Ibanez Turbo Tube Screamer TS9DX, I decided to splitt the video in to two parts as it would have become over 40 minutes otherwise… In this part the presets and testing the pedal on the Classic Gain channel of the Marshall DSL20HR, also more singlecoil action here!

The part of the review contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone), all done on the Ultra Gain channel of the Marshall DSL20HR.

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better (ny me!). If you want to see how I set up the mic for the cabinett see the last part, Roundup talk, where I show that with a couple of pix!

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Index:
00:09 – Preset 1: Bluesy/jazzy overdrive
01:57 – Preset 2: Chunky rhythm/Blues lead
03:24 – Preset 3: Stacked amp
05:14 – Preset 4: Cool lead tones
07:03 – Classic Gain channel on the Marshall DSL20HR & Preset 4
09:38 – Cleaner setting on the Classic Gain channel
10:44 – Various TS9DX settings
23:13 – Have Guitar roundup talk

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez Turbo Tube Screamer TS9DX – Have Guitar review Part 1:

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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#ibanez #ts9dx #turbotubescreamer

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Let’s kick of the new year year with a premier! What’s new, you ask? A pedal frenzy but this time I don’t run the pedal through the Kemper but through my new tube amp – Marshall DSL20HR! Shock, surpize and hurrahs – finally!

So this is the first part of my review of the Ibanez Turbo Tube Screamer TS9DX. When I was editing the video, I decided to split it in two parts when I reached 20 minutes and had about the same amount of material left… I don’t know if that is a good idea or not but I just felt around 20 min’s are enough for one video. This first part contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone).

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better. Part II contains the presets given from Ibanez in the manual and some additional tweaking by me and in Part II I also include the Telecaster so you’ll get sound from both humbuckers and singlecoils.

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Index:
04:30 – Amp sound without the pedal plus the four modes with all controls set for 12’clock
07:17 – Gain control: Low
08:04 – Gain control: 10’clock
08:52 – Gain control: 2’clock
10:06 – Gain control: Max
11:35 – Gain control: Max (in the room)
12:27 – Level control: 9’clock
13:19 – Level control: 3’clock
15:18 – Level control: 3’clock, Turbo mode (in the room)
15:48 – Tone control: Min
16:35 – Tone control: 10’clock
17:29 – Tone control: 2’clock
18:34 – Tone control: Max

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#ibanez #ts9dx #turbotubescreamer

(Cover) Crazy Horses by The Osmonds

Merry Christmas to you all! I felt I should release something funny and with anxiety in my mind I decided to pick this cover that recorded a couple of years ago… This is a cover of a song that I first discovered covered by Tank, and maybe that’s why I like it so much? Still I think the original that is done by The Osmonds is a good song but the original video is really, erhm, silly. Not that mine is much better!

We used to play Crazy Horses as a cover back in the day, in a heavy version, so one day in 2018 I decided (for whatever reason!) to record it. Then, once it was recorded I thought to myself… maybe I should try doing the vocals? Mind you, I have not recorded my singing voice since the early 90’s. I was so-so satisfied by the result but as most of the people I have played for (a small selection of folks) seemed to think it was quite OK – why not? This’ll be my xmas video for you guys, hope you will like it!

That’s it, a new year is coming next video should Top 5 Kemper packs of 2020 – I hope I can squeeze in the recording somewhere in these holiday times! If you wanna support my channel – subscribe! It’ll be very much appreciated! Use the link provided below. To all of you who do sub – Thanks so much, I hope 2021 will be great for ya’ll and that you will continue following me for the coming year!

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Equipment used:
Kemper Profiling Amp

Profiles used for this recording comes from Sinmix Fireman pack!

The original Crazy Horses by The Osmonds

Addictive Drums II @ XLN Audio

Kemper Profiling Amp

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#crazyhorses #theosmonds #cover

Halloween 2 cab pack by ML Sound Lab (Impulse responses/cabs demo)

Been a long time since I featured a impulse response’s video but here’s a new one! In this video I try out the Halloween 2 cab pack from ML Sound Lab, must it’s a bunch of very nice cab’s!

If you dont’ know what an impulse response is. well, in short it is a digital representation of a guitar cabinet. If you wanna know more about just google it or check out the link provided below!

The cab’s/IR’s that are included in the ML Sound Lab Halloween 2 cab pack are (for more info check out the link to ML Sound Lab below):

Mega Djent Mesa Boogie Oversized 4×12
Mega Oversize – Mesa Boogie Oversized Straight 4×12
For Destruction – British 4×12 signature cab (1500 made)
Mega Green – 1990s UK made Celestion™ T1220 Reissue Greenbacks with the “6402” cones loaded in the legendary “P3” Mesa™ Boogie 4×12
70s Boomtown – 1971 Sound City 4×12
70s Tony – 1973 Laney Klipp 4×12
Mars PR-M75 – Vintage British 4×12

Video index:
01:25 – How to load IRs into the Kemper profiling amp
02:25 – Deluxe 65 original cab (Fender Deluxe Reverb)
03:13 – Deluxe 65 with ML Sound Lab cabs
04:47 – Bogner Ecstacy profile original cab
06:03 – Bogner Ecstacy with ML Sound Lab cabs
08:20 – Hameron (Cameron CCV 100) direct profile with ML Sound Lab cabs
10:39 – VOX AC15HW with original cab
11:33 – VOX AC15 HW with ML Sound Lab cabs
13:16 – End words

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Equipment used:
NL Sound Lab Halloween 2 cab pack
ESP Phoenix II (Seymour Duncan JB/’59)
Kemper Profiling Amp

Cab packs @ ML Sound Lab

Ultimate Guide to Impulse Responses for Guitarists

Kemper Profiling Amp

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#halloween2 #mlsoundlab #impulseresponse

Cameroon CCV by Mattfig (Kemper profiles demo)

Another Kemper profile pack tested – this I’m having a look at Cameroon CVV from Mattfig! Doesn’t really say on Mattfig’s website but without taking too much risk I’d say this a Cameron CVV amplifier being profiled…

Tried to make a good selection for an overview of this pack from Mattfig, it’s very much Plexi-tonality we’re talking about here… And it sound good to me!

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Equipment used:
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
ESP Phoenix II (Seymour Duncan JB/’59)
Kemper Profiling Amp

Cameroon CCV @ Mattfig’s

Kemper Profiling Amp

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Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#cameroonccv #mattfig #kemperprofiles

Purple Platypus Octidrive MKII Limited Edition by Way Huge/Jim Dunlop (Guitar effect pedal)

Another pedal frenzy from Have Guitar – let’s have a closer look at the Purple Platypus Octidrive MKII from Way Huge! So this pedal is based on the Way Huge Red Llama overdrive but with an added frequency doubler and a hi-cut-control that will let you fine tune your sound.

This pedal is limited to 1000 units but I really don’t know if that is a really small number of units when it comes to pedals… But, it isn’t listed at Way Huge webpage so that makes me guesstimate it’s a lesser production.

So what can you expect from this pedal? Well it’s basically a fuzz but with that doubler it’s kinda different from a any ordinary fuzz. When you hit the gas with this pedal you might notice that it doesn’t always handle multiple notes at the same time too well. Or maybe you’ll like that, who knows?! For me it’s not too useful on an everyday basis but you can get some really fat weird noises with it, that might have it’s place where you’re going.

That’s it, hope you liked this demo/review! If you wanna support my channel – subscribe! Anyways, thanks for watching!! A very sincere Thanks to all you who subscribes!!!

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Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Way Huge/Jim Dunlop Purple Platypus Octidrive MKII
Fulltone OCD overdrive
Kemper Profiling Amp

Way Huge pedals @ Jim Dunlop

Way Huge Purple Platypus Octidrive MKII @ Andertons UK

Fulltone OCD

Kemper Profiling Amp

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (238956478521565484)

#wayhuge #purpleplatypusoctidrive #pedalfrenzy

PV Block Mod+ by Live Ready Sound (Kemper profiles demo)

Time to demo another fine Kemper profile pack from Live Ready Sound – PV Block Mod+. These profiles recreates the sound of a Peavey 6505+, modded to 5150 Block letter specs with some additional options including a variable negative feedback mod and the ability to run both 6L6 and EL34 power tubes.

So far this pack is all about gain with all of its 93 studio profiles but knowing Live Ready Sound I’m pretty this will expand in coming updates, free of charge if you buy the pack! I had great fun trying out this pack and I hope that shines through in the video.

Thanks for watching, hope you like the video. If you wanna support my channel, use the subscribe link provided below. Love and appreciation to all you who subscribe!!!

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Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
Harley Benton TE70 Black Paisley (Fender Texas Specials)
Ibanez RGDIM6FM-CLF (Fishman Fluence Modern)
Kemper Profiling Amp

PV Block Mod+ @ Live Ready Sound

Peavey 6505+ amplifier

Peavey 5150 amplifier @ Wikipedia

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 2389564785215

#pvblockmod #livereadysound #kemperprofiles

Martian 2000 by Live Ready Sound (Kemper profiles demo)

Time to test out a new profile pack from Live Ready Sound – Martian 2000! This pack recreates the sound from a Marshall DSL100 JCM2000 and yes, it keeps the usual high standards we’re used to see from Live Ready Sound!

The first version of this pack comes with 57 studio profiles and 11 direct profiles, created with a bunch of different mic’s and speakers… check out the link below for more information on this profile pack.

The Marshall JCM2000 seems to be well regarded by guitarists by looking at the discussions online. Judging from these profiles, well I can just concure – it sure sounds sweet to me!

Hope you enjoyed the video – feel free to support my channel with a subscription if you did! (Sub-link provided below…) Forever and ever a Big Thanks to all of you who do subscribe!!

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Equipment used:
Gibson SG Standard 2016 High Performance (490R/498T)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
ESP Phoenix II (Seymour Duncan JB/’59)
Kemper Profiling Amp

Live Ready Sound Martian 2000

Marshall DSL100 @ Marshalls website

Marshall DSL100 JCM2000 review @ Audiofanzine

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#martian2000 #livereadysound #kemperprofiles

Flux-Drive by Mesa Boogie (Pedal review / test / demo)

Review by Have Guitar!

The Mesa Flux-Drive is the overdrive pedal for those who want more of all the best things from an overdrive, according to Mesa themselves. Is that so? The Cambridge dictionary states that the word “flux” means “continous change”. Well, that makes no sence what so ever…

As an overdrive the Flux-Drive surely makes the job you’d expect from an overdrive, it really helps shaping what you already got soundwise rather than recreating the tone. The bass and treble controls gives you additional control over the sound, which is always welcome. These EQ controls are just set enough according to me, they will change the sound but not drastically so.

Also I must add that some of the sound demos in the video actually sounds better now, when listening to the video than what I felt about them whilst playing. The Flux-Drive was nice pedal to try out but for me personally – it is not a pedal that I will buy in the future (the pedal in the video was borrowed).

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Video index:

00:55 – Base sounds for controls demo (Fuchs Blackjack 21 MKII)
01:49 – Flux-Drive Level control
02:55 – Flux-Drive Gain control
04:14 – Flux-Drive Bass control
05:12 – Flux-Drive Treble control
06:26 – Ballad backing track w/wo pedal
07:09 – Clean sound used for presets
08:50 – Gain sound used for presets
09:21 – Preset: Mid Gain Crunch
10:10 – Preset: Singing Solo
11:40 – Preset: Flux Bump
12:57 – Preset: Slam It
13:53 – Presets talk/conclusion
14:54 – ToneJunkie Lowman 65 without pedal
15:52 – ToneJunkie Lowman 65 with pedal
17:03 – Blues backing track w/wo pedal
17:36 – End words

Equipment used:
Mesa Boogie Flux-Drive
ESP Phoenix II (Seymour Duncan JB/’59)
Green ‘White Dove’ SG (Lundgren The One)
Kemper Profiling Amp

Flux-Drive @ Mesa Boogie website

Profile packs used in this video –

ReampZone Fuchs Blackjack 21 MKII Kemper profiles

ReampZone Orange TH30 (Modded) Kemper Profiles

ToneJunkie 65 Lowman Amp Pack

Live Ready Sound 79 Mini Bender

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#mesaboogie #fluxdrive #review