Swollen Pickle Jumbo Fuzz MKIII by Way Huge/Jim Dunlop|Pedal demo/test/review

A fascination for fuzz pedals, that is my condition doc. That’s right and in this video I am going to take dive into the sea of fuzz to examine the Swollen Pickle Jumbo Fuzz MKIII from Way Huge. I still haven’t figured out why it is called a jumbo fuzz when the size of the MKIII is actually smaller than the previous versions? Well, life is full of mysteries…

So fuzz pedals seems seldom to be about a nice sound. Some people might think that distorted guitars are never fun to listen to but a fuzz almost makes it even worse… but still in a good way. They have a broken character to them and they, according to me, make you fight a little to play those shrimps that goes so easy with an overdrive or a distortion pedal. That might be where fun kicks in!

Anyways, I hope you liked this video. I had some problems to fix the sound so that it sound like what I experienced while playing but I think it came out quite well in the end. Still, just because of this I actually bought a ribbon microphone (SE Electronics X1 R) in the hope of fixing that issue for the future…

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Index:
02:30 – Marshall DSL20HR Ultra Gain channel w/o fuzz
03:08 – Swollen Pickle all controls at 12’o’clock
05:29 – Swollen Pickle Controls: Sustain
08:06 – Swollen Pickle Controls: Low/High volume
08:43 – Swollen Pickle Controls: Filter (tone)
11:12 – SM57 mic only – various settings
12:27 – Marshall DSL20HR Classic Gain channel (clean) tryouts
15:31 – Swollen Pickle with Humbuckers, various settings
18:10 – End words…

Equipment used:
Way Huge Swollen Pickle Jumbo Fuzz MKIII
MJT VFF Telecaster (Nocaster/Twisted Tele)
Tokai LC107-S (Tokai PAF MK2S)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical

Way Huge Swollen Pickle Jumbo Fuzz MKIII @ Jim Dunlop

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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#wayhuge #swollenpicklemkiii #pedalreview

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part II)

This is part II of my review/demo of the Ibanez Turbo Tube Screamer TS9DX, I decided to splitt the video in to two parts as it would have become over 40 minutes otherwise… In this part the presets and testing the pedal on the Classic Gain channel of the Marshall DSL20HR, also more singlecoil action here!

The part of the review contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone), all done on the Ultra Gain channel of the Marshall DSL20HR.

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better (ny me!). If you want to see how I set up the mic for the cabinett see the last part, Roundup talk, where I show that with a couple of pix!

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Index:
00:09 – Preset 1: Bluesy/jazzy overdrive
01:57 – Preset 2: Chunky rhythm/Blues lead
03:24 – Preset 3: Stacked amp
05:14 – Preset 4: Cool lead tones
07:03 – Classic Gain channel on the Marshall DSL20HR & Preset 4
09:38 – Cleaner setting on the Classic Gain channel
10:44 – Various TS9DX settings
23:13 – Have Guitar roundup talk

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez Turbo Tube Screamer TS9DX – Have Guitar review Part 1:

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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#ibanez #ts9dx #turbotubescreamer

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Let’s kick of the new year year with a premier! What’s new, you ask? A pedal frenzy but this time I don’t run the pedal through the Kemper but through my new tube amp – Marshall DSL20HR! Shock, surpize and hurrahs – finally!

So this is the first part of my review of the Ibanez Turbo Tube Screamer TS9DX. When I was editing the video, I decided to split it in two parts when I reached 20 minutes and had about the same amount of material left… I don’t know if that is a good idea or not but I just felt around 20 min’s are enough for one video. This first part contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone).

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better. Part II contains the presets given from Ibanez in the manual and some additional tweaking by me and in Part II I also include the Telecaster so you’ll get sound from both humbuckers and singlecoils.

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Index:
04:30 – Amp sound without the pedal plus the four modes with all controls set for 12’clock
07:17 – Gain control: Low
08:04 – Gain control: 10’clock
08:52 – Gain control: 2’clock
10:06 – Gain control: Max
11:35 – Gain control: Max (in the room)
12:27 – Level control: 9’clock
13:19 – Level control: 3’clock
15:18 – Level control: 3’clock, Turbo mode (in the room)
15:48 – Tone control: Min
16:35 – Tone control: 10’clock
17:29 – Tone control: 2’clock
18:34 – Tone control: Max

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#ibanez #ts9dx #turbotubescreamer

Purple Platypus Octidrive MKII Limited Edition by Way Huge/Jim Dunlop (Guitar effect pedal)

Another pedal frenzy from Have Guitar – let’s have a closer look at the Purple Platypus Octidrive MKII from Way Huge! So this pedal is based on the Way Huge Red Llama overdrive but with an added frequency doubler and a hi-cut-control that will let you fine tune your sound.

This pedal is limited to 1000 units but I really don’t know if that is a really small number of units when it comes to pedals… But, it isn’t listed at Way Huge webpage so that makes me guesstimate it’s a lesser production.

So what can you expect from this pedal? Well it’s basically a fuzz but with that doubler it’s kinda different from a any ordinary fuzz. When you hit the gas with this pedal you might notice that it doesn’t always handle multiple notes at the same time too well. Or maybe you’ll like that, who knows?! For me it’s not too useful on an everyday basis but you can get some really fat weird noises with it, that might have it’s place where you’re going.

That’s it, hope you liked this demo/review! If you wanna support my channel – subscribe! Anyways, thanks for watching!! A very sincere Thanks to all you who subscribes!!!

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Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Way Huge/Jim Dunlop Purple Platypus Octidrive MKII
Fulltone OCD overdrive
Kemper Profiling Amp

Way Huge pedals @ Jim Dunlop

Way Huge Purple Platypus Octidrive MKII @ Andertons UK

Fulltone OCD

Kemper Profiling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (238956478521565484)

#wayhuge #purpleplatypusoctidrive #pedalfrenzy

Flux-Drive by Mesa Boogie (Pedal review / test / demo)

Review by Have Guitar!

The Mesa Flux-Drive is the overdrive pedal for those who want more of all the best things from an overdrive, according to Mesa themselves. Is that so? The Cambridge dictionary states that the word “flux” means “continous change”. Well, that makes no sence what so ever…

As an overdrive the Flux-Drive surely makes the job you’d expect from an overdrive, it really helps shaping what you already got soundwise rather than recreating the tone. The bass and treble controls gives you additional control over the sound, which is always welcome. These EQ controls are just set enough according to me, they will change the sound but not drastically so.

Also I must add that some of the sound demos in the video actually sounds better now, when listening to the video than what I felt about them whilst playing. The Flux-Drive was nice pedal to try out but for me personally – it is not a pedal that I will buy in the future (the pedal in the video was borrowed).

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Video index:

00:55 – Base sounds for controls demo (Fuchs Blackjack 21 MKII)
01:49 – Flux-Drive Level control
02:55 – Flux-Drive Gain control
04:14 – Flux-Drive Bass control
05:12 – Flux-Drive Treble control
06:26 – Ballad backing track w/wo pedal
07:09 – Clean sound used for presets
08:50 – Gain sound used for presets
09:21 – Preset: Mid Gain Crunch
10:10 – Preset: Singing Solo
11:40 – Preset: Flux Bump
12:57 – Preset: Slam It
13:53 – Presets talk/conclusion
14:54 – ToneJunkie Lowman 65 without pedal
15:52 – ToneJunkie Lowman 65 with pedal
17:03 – Blues backing track w/wo pedal
17:36 – End words

Equipment used:
Mesa Boogie Flux-Drive
ESP Phoenix II (Seymour Duncan JB/’59)
Green ‘White Dove’ SG (Lundgren The One)
Kemper Profiling Amp

Flux-Drive @ Mesa Boogie website

Profile packs used in this video –

ReampZone Fuchs Blackjack 21 MKII Kemper profiles

ReampZone Orange TH30 (Modded) Kemper Profiles

ToneJunkie 65 Lowman Amp Pack

Live Ready Sound 79 Mini Bender

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Why don’t you Follow Have Guitar! on social media:

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#mesaboogie #fluxdrive #review

Blues Driver BD-2 by BOSS (pedal review / test)

Pedal Frenzy by Have Guitar!

It is not new but it’s a classic – the BOSS Blues Driver BD-2. A well placed product that came out around the time of the ‘blues boom’ of the mid 90’s. It’s an overdrive for the blues players and many others…

There’s really not much more to say, watch the video – I hope you’ll like it! If you do, support me with a subscription!

A very big, varm and bluesy Thanks! to all my subscribers!!!

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Video index:
00:56 – Clean & Gain sound used for control tests
01:30 – BOSS Blues Driver BD-2 Gain control
02:52 – BOSS Blues Driver BD-2 Level control
03:33 – BOSS Blues Driver BD-2 Tone control
04:44 – BOSS Blues Driver BD-2 Mixed settings
05:46 – Blues backing track with/without the pedal
06:16 – Runthrough of the pedals presets
14:01 – Pink Floydish backing track with/without the pedal

Equipment used:
BOSS Blues Driver BD-2
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Green SG ‘White Dove’ (Lundgren The One)
Kemper Profiling Amp

Blues Driver BD-2 @ BOSS Website

In Praise of the Humble, Underrated Boss Blues Driver @ Reverb.com

The following profile packs was used in the video:

ReampZone – Diezel Einstein 100 Kemper profiles

ReampZone – Marshall JMP Super Lead 1976 Kemper profiles

ReampZone – Dumble ODS 50W HRM Kemper profiles

ToneJunkie – Sugar 16 Kemper profile pack

Kemper Profling Amp

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#boss #bluesdriver #bd2

Yngwie Malmsteen Overdrive by Fender (pedal review/demo)

Yngwie Malmsteen Overdrive by Fender (pedal review/demo)

This video is a review / demo of the Fender Yngwie Malmsteen overdrived pedal. I suppose everyone knows who Yngwie is, a guitarist who was part of creating what became called “neoclassic metal” and he has had a huge influence on guitar players all over the world. So… this is his signature overdrive pedal!

Now I say it in the video and I’ll repeat it here; don’t expect me playing anything like Yngwie in this video! I’m not that kind of guitarist and frankly I don’t wanna be (said without bashing the man himself in any way!).

As for the pedal it-self – it has true bypass, metal casing, can be run with a 9-volt-battery or external power supply. It has only two controls – volume and gain. I know some people consider this the best overdrive out there, everyones taste is different! Me, I like it, but it is not my favourite overdrive pedal. Let me know in the comments what You think about it!!

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Equipment used:
Fender Yngwie Malmsteen Overdrive
ESP Phoenix II (Seymour Duncan JB/’59)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Profiles used in this video:

ReampZone – Marshall JMP Super Lead 1976

ReampZone – PRS Archon 100

ReampZone – Orange TH30 (Modded)

Live Ready Sound – Unchained

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#fender #yngwiemalmsteen #overdrive

Fulltone OCD vs Tone City Dry Martini (Comparision / Blind test!)

Pedal Frenzy by Have Guitar!

The master and the contender… maybe. So I have reviewed the Tone City Dry Martini, without comparing it to the pedal that it’s based on; the Fulltone OCD. I saved that for this video and after some thinking I decided to make it a blind test. Who doesn’t love a blind test?!! It’s scientific, fun and… well, a somewhat fair way to do an A/B-test.

I don’t think the Fulltone OCD needs a detailed introduction. It’s a classic overdrive pedal, available in many different versions and made in the USA. This pedal is said to have been sold in over 250000 units since it came around in late 2004. A sensitive overdrive, something that can create those overtones from a driven tube amplifier.

The Tone City Dry Martini is a smaller sized ‘clone’, made in China and cheaper than the OCD. It do have the same controls (Volume, Tone, Gain and a hi/low gain switch) but the spec’s are not excatly the same… and I do believe you can hear that – in my ears they do not sound the same. And that’s why I figured a blind test would be a good way to go about!

This way you can check out which sound you prefer, it might… or might not… surprize you. Let me know in the comments what you thought sounded the best! And did you get it right, pedal by pedal?

Thanks for watching my videos on Have Guitar!, if you like it please subscribe! As always, Thanks to all of You who already do so!

Equipment used:
Tone City Dry Martini
Fulltone OCD V2
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)

Kemper Profiling Amp Tone City Dry Martini @ Musik Produktiv

Tone City Dry Martini @ Andertons

(Tone City Audio’s webpage has been “Under maintenance” for a long while now, thus the above links!)

Fulltone OCD

Profiles from the following profilers has been used in this video –

Live Ready Sound

ReampZone

TMS Profiles

ToneJunkie

Kemper Profling Amp: https://www.kemper-amps.com/

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Contact: admin *AT* haveguitar.com (turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

Dry Martini by Tone City (Review / Demo / Showcase)

Pedal Frenzy by Have Guitar!

The American writer E.B. White said about the Dry martini; “the elixir of quietude”, which of course is something you couldn’t (or maybe shouldn’t) say about an overdrive pedal like the Tone City Dry Martini… (yes, he was talking about the drink).

So this is a demo/review of the Tone City micro pedal Dry Martini. This is a clone of the Fulltone OCD pedal and features about the same controls as the OCD; Volume, Tone, Gain and a high/low gain switch. The gain is best described as low to medium with a punchy character (think a tube amplifier at its ‘sweet spot’). It should be noted that the latest version of the Fulltone OCD has some features that the Dry Martini hasn’t; like the ‘Enhanced bypass’ for example.

This video is all about the Tone City Dry Martini on its own, no comparison with the Fulltone OCD. If not already out, I will soon release a “blind test” video where you can test if you can spot which is the original pedal (or which of them you would prefer). I’ve used one clean sound and one slightly overdriven sound for this review, should be noted that due to a malfunction the sound in the overdriven sound part of the video is captured by room microphones.

Hope you like the video – support Have Guitar! with a subscription! I’m very grateful to all you who already do, Thanks!

Equipment used:
Gibson Les Paul Standard ’76
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Tone City Dry Martini
Kemper Profiling Amp

Video Index –
01:47 – ToneJunkie Brown Eyed Girl (BE100), clean sound/profile w/o pedal
02:41 – Dry Martini 12’clock setting
04:13 – Dry Martini volume up
04:43 – Dry Martini Tone control at low gain
06:43 – Dry Martini Tone Control at high gain
08:58 – Low gain w High gain switch activated
11:02 – All controls maxed, high switch on
11:44 – More Low gain testing
15:09 – Fiddlin’ with the guitar tone control
16:05 – Various settings on the Dry Martini
16:49 – Live Ready Sound Fukes ODS (Fuchs), crunch sound/profile w/o pedal
17:30 – Dry Martini 12’clock setting
18:53 – Low gain settings
20:19 – High gain settings
21:14 – End words

(Tone City’s webpage has been ‘under maintenance for a long while, so I’ve listed a couple of EU retailers instead.)

Tone City Dry Martini @ Musik Produktiv

Tone City Dry Martini @ Andertons

Fulltone OCD

Profiles used in this video from –

ToneJunkie

Live Ready Sound

Kemper Profling Amp

Martini (the drink!) @ Wikipedia

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Why don’t you Follow Have Guitar! on social media:

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Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

DP Durple by Tone City (pedal review – demo – showcase)

Pedal Frenzy by Have Guitar!

Here’s a new guitar overdrive pedal from Tone City – DP Durple! So it is not a signature pedal but it’s collaboratively designed by Tone City and “Danish Pete” from Andertons. The DP Durple is based on Tone City Mandragora OD but modified to suit Danish Pete’s tonal taste.

So the Tone City Mandragora is based on the Kalamazoo Love Drive and the DP Durple is as said based on the Mandragora, with some modifications. The Mandragora’s ‘Pre’ (presence) has been replaced by a ‘Mid’ control that let’s you cut or boost the amount of mid-range. The ‘Tone’ control has been adjusted to be less bright, offering a more moderate amount of treble so it’s not too shrill at the higher settings.

Otherwise it’s a small but sturdy analogue pedal; metal casing and true bypass. The dimensions are 4.2 x 5.2 x 9.3 cm and it needs a 9VDC power supply, no battery compartment. The controls are gain, volume, mid and tone.

Thanks for watching Have Guitar – hope you liked this video! If you wanna support the channel – subscribe! A very Big Thanks to my subscribers as always!!

Equipment used:
Tone City DP Durple
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
Kemper Profiling Amp

Tone City pedals @ Andertons

(I list Andertons due to the fact that the Tone City Audio webpage has been in maintenance mode for a long while now…)

ToneJunkie webstore

ReampZone webstore

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Why don’t you Follow Have Guitar! on social media:

Twitter

Instagram

Facebook

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.