Black Box MKII by Riot (power supply test / review)

Test / Review by Have Guitar

Need a power supply for your pedals? Short on money? Then the Riot Black Box MKII might be something for you. I got tired of my bulky adaptors that takes up more than one space in the power strip so I went to the local music store to see what they could offer. I had planned to spend some more money but then I got greedy and thought I could try this one out.

Seems like this model is quite new and there is not much info to get about it. Heard a rumour that it might be Harley-Benton who’s making these but that is nothing but a rumour so far. It is made in china and the build of the unit seems more than descent for the price. Metal casing and 10 outs for less than 60 Euros? Great. Have a look at the video for my ‘verdict’.

I certainly hope you will like this video and please do support Have Guitar with your subscription if you do. Just wanna scream Thank You to all you who do subscribe, appreciate it!

Equipment used:
Riot Black Box MKII
Tone City Golden Plexi
Tone CIty Sweet Cream
Laney Black Country Customs TI Boost
TC Electronics Forcefield
EBS DynaVerb Guitar Edition
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Live Ready Sound Reverend G-120 profile pack

Kemper Profiling Amp

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

Recorded with a Sony FDR-AX100, Sony XLR-K2M, Rode NT-2a, edited in Reaper DAW and Davinci Resolve.
Guitar signal line (unless other noted) is Kemper – SPDIF – Focusrite Saffire 6i6 2nd gen – USB -Computer/Reaper.

Tony Iommi (TI) Boost by Laney Black Country Customs (pedal test)

Pedal Frenzy by Have Guitar!

Here’s a pedal I have been looking forward to trying out, the Laney Black Country Customs TI Boost – where TI stand for Tony Iommi from Black Sabbath! So, this is a not a regular dist box but rather what is called a clean boost. It’s kinda a replica of what Iommi used in the early days of Sabbath but with some extra controls for gain, treble and base.

Just wanna say that I have used a slightly different approach in how I recorded this video… very much just improvising and noodling around as I try different settings on the pedal, I do hope it comes out OK. The editing of this video was cursed somehow… whatever could go wrong, went wrong! To a degree where I almost went ahead re-recorded it all over again. Just saying. Any comments – especially constructive critisim – is very welcome, I’m still experimenting on how to provide a nice overview of a pedal.

Anyways, I do hope you’ll like the video! And as in every video’s description I would like to say Thanks to you who subscribe, your support is awesome!

A note about the gain rating below; on the Kemper Profiling Amp each profile has a gain rating from 0 to 10. So Clean to Low gain = 0 – 3, Crunch = 4 – 6 and Hi gain = 7 – 10.

Index:
02:55 – TMS Profiles TREK (MB TripRec), gain 0/10. Note: the sound here is taken from the room microphones, not lined signal.
06:14 – ToneJunkie 3p Triple Agent (3P Dial Citizen), gain 0/10. Lead to a Backing track.
06:48 – Live Ready Sound Fried Chicken (Fman BE100), gain 5/10.
11:15 – Lead to a backing track.
12:06 – Deadlight Studio Engl Extreme Aggression (Engl E636), gain 9/10.
13:40 – ReampZone Diezel Einstein 100, gain 6/10.
17:09 – Lead to a backing track.
17:51 – Some kinda of conclusion!

Laney Black County Customs

Kemper Profiling Amp

Equipment used:
Laney Black Country Customs Tony Iommi Boost
Gibson Explorer Government Series I (Dirty Finger+)
ESP Phoenix II (Seymour Duncan JB/’59)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Gibson SG Standard 2016 High Performance (490R/498T)
Kemper Profiling Amp

Profiles from the following vendors has been used to create this review (alphabetical order):

Deadlight Studios

Live Ready Sound

ReampZone

TMS Profiles

ToneJunkie

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.