Envenom by Age of Woe|A beer & an album #2

This is a review of the album Envenom by Age of Woe and the beer Smålands Eko! This is the ‘first season’ of this video series, where thought is … a beer and an album and me throwing in my opinions. Easy as that. Let’s hope YouTube and who ever owns the musical rights realizes that this IS reviews that will hopefully gain some positive attention the artists.

Age of Woe was formed in Gothenburg, Sweden in 2010. According to Wikipedia their music is around punk and metal with pieces of death, doom, sludge and hardcore. Envenom is Age of Woe’s latest album and well, it’s great!!

I hope you’ll enjoy this new concept, I’ll have to see how well it’s recieved before I decide to record more episodes. There’s eight videos recorded already and once they’re published we’ll see… Anyways, wanna see more? Use the link provided and subscribe! And as always – a very big Thank You to all you who already do!!!

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Age of Woe – Homepage

Age of Woe @ Wikipedia (swedish only)

Age of Woe @ Facebook

Age of Woe @ Metal Archives

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (31654987987654654312321)

#ageofwoe #smalandeko #review

Marshall JVM410H by Radek|Kemper profiles demo

Got a mail from a guy called Radek who asked if I wanted to test/demo his Marshall JVM410-profiles. Didn’t expect anything but was positively surprised! I like these profiles a lot so, well, here’s the video of them!

What Marshall themselves say about this amp: ” This mighty 100W head has every trick in the book up its sleeve and simply can’t be beaten, with three modes available on each of the four channels. ”

Are you interested in buying these profiles? There is information in the video about how to do it, it comes in at around 00:24. Just don’t wanna print his mail here for various reasons, maybe I’m a bit overprotective but… but what!

So, thanks for watching! If you wanna support my follies go ahead and click the subscribe-link provided below. As always a very big Thanks to all you who sub!!!

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Equipment used:
Tokai LC-107S (Tokai PAF MK2S)
Ibanez RGDIM6FM-CLF (Fishman Fluence Modern)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Kemper Profiling Amp

JVM410 @ Marshall

Kemper Profiling Amp

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Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#radek #marshalljvm410 #kemperprofiles

LC-107S Love Rock by Tokai|First Impression

Here’s my first impression video of the Tokai LC-107S. Tokai Guitars as it’s known in out part of the world (actually the name is Tokai Gakki Company) was started 1947 but didn’t start manufacturing electric guitars until 1975. Tokai is part of those Japanese brand known as “lawsuits guitars” due to the fact that they produced copies of American brand models.

From the beginning the Tokai Less Paul model was called “Reborn Old” then changed to “Les Paul Reborn” but in the 80’s the name landed as “Love Rock”, a name that is commonly used nowadays. Generally if you search for opinions about Tokai you will find positive views.

So, I first heard about Tokai in the mid 2000’s and have been looking for an opportunity to try them out since then… No luck as I have never seen one in a Swedish store. And as my old Gibson Les Paul needs some expensive fixes I took the leap and ordered a new one from Finland! The LC-107S seems to be, as I say in the video, the low end of the high end Tokai’s. Still it’s around 1460 Euro’s (or about 1740 USD) so it’s not low budget buy.

A full review of this Tokai will come when I have had some time to really try it out, until then you will have to settle for this first impression. Of course it will pop up in various videos as time goes by.

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Equipment used:
Tokai LC-107S (Tokai PAF MK2S)
Kemper Profiling Amp

Profiles used in this video:

ToneJunkie – Stu G Studio pack

Selah Sounds – 65 D’verb pack

ReampZone – Dumble ODS:50W HRM

Pete’s Crazy Profiles – Orange Rockerverb 100 MK2

Mattfig – Slodano

Live Ready Sound – Red Mars

Deadlight Studios – Piwi Perspective

Kemper Profiling Amp

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Contact:
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And don’t forget – Fret Nut… Have Guitar!
Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#tokai #lc107s #loverock

BE100 4.0 by Mattfig (Kemper profiles demo)

BE100 4.0 by Mattfig (Kemper profiles demo)

Another Brown Eye pack?! That’s right, BE100 4.0 from Mattfig is another profile pack for your Kemper based on the Friedman BE-100 amp. A different signal chain used for the profiling process, read more about those details on the link below to Mattfigs webshop.

This is a big pack counting 159 profiles, both studio and direct profiles. In that also 45 profiles ‘dedicated’ for single-coil guitars, a nice feature if you ask me! I’ve tried to make an overview of the pack, even if that is hard with the sheer number of profiles included!

Thanks for watching and hope you liked the video! If you wanna see more please subscribe to the channel, see the link just below this text! A very big Thank You to all you who do subscribe, you rock!

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Equipment used:
MJT VFF Telecaster (Nocaster/Twisted Tele)
ESP Phoenix II (Seymour Duncan JB/’59)
Harley Benton TE70 Black Paisley (Fender Texas Specials)
Kemper Profiling Amp

BE100 4.0 profile pack @ Mattfig

Friedman BE-100 @ Friedman amps

Kemper Profiling Amp

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#be10040 #mattfig #kemperprofiles

Odyssey Boundary Series by FGN Guitars|Review|Sound demos

Review of the S-style FGN (Fujigen) Odyssey from the Boundary series, equipped with a Fujigen humbucker and two single-coils. It’s not an expensive guitar at just above 700 USD, but it’s not the absolute low end of the budget guitars.

The Fujigen Osyssey comes with a body of Japanese basswood, Gotoh tuners and coiltap for the humbucker, which is a nice feature. It weighs in on approximately 3.4 kg (~7.5 lbs), comes in two colors and is stringed with D’Addario EXL110 (.010-.046).

So for this review|demo I have used both my Kemper and the Marshall DSL20HR, so you’ll get both sounds from both the digital and the analogue world… I’ve also arranged the sound demos after type and source; see the index provided below.

There you go, I hope you’ll like this video – if you wanna support my channel, feel free to subscribe to the channel… To all my subscribers – Thank You!!!

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Index:

00:39 – Sound demo: Clean tones
02:24 – Talk: Body
04:33 – Sound demo: Crunch tones
06:04 – Talk: Neck/fretboard
08:11 – Sound demo: High gain tones
09:39 – Talk: Tuners/head
10:17 – Sound demo: Marshall DSL20 Classic gain (+Fulltone OCD)
12:56 – Sound demo: Marshall DSL20 Ultragain
14:31 – End words

Equipment used:
FGN Odyssey Boundary (FGN Humbucker & singel-coils)
Marshall DSL20HR
Fulltone OCD
Kemper Profiling Amp

FGN|Fujigen Guitars

Fulltone OCD

Marshall DSL20HR

Kemper Profiling Amp

Kemper profiles used in this video:

BM Profiles – FMAN Pack

ToneJunkie – Match Chief

ReampZone – Dumble ODS: 50W HRM Kemper Profiles

Deadlight Studio – SPAWN Quick Shot

TMS Profiles – TMS RKR30

MBritt Profiles – ’69 Marsh Pack

Live Ready Sound – 6160 Platinum Modded

SinMix – Diamond Pack

Guidorist – Angel Shouter

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Contact:
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And don’t forget – Fret Nut… Have Guitar!
Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. 238956478521571689

#odyssey #fgnguitars #review

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part II)

This is part II of my review/demo of the Ibanez Turbo Tube Screamer TS9DX, I decided to splitt the video in to two parts as it would have become over 40 minutes otherwise… In this part the presets and testing the pedal on the Classic Gain channel of the Marshall DSL20HR, also more singlecoil action here!

The part of the review contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone), all done on the Ultra Gain channel of the Marshall DSL20HR.

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better (ny me!). If you want to see how I set up the mic for the cabinett see the last part, Roundup talk, where I show that with a couple of pix!

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Index:
00:09 – Preset 1: Bluesy/jazzy overdrive
01:57 – Preset 2: Chunky rhythm/Blues lead
03:24 – Preset 3: Stacked amp
05:14 – Preset 4: Cool lead tones
07:03 – Classic Gain channel on the Marshall DSL20HR & Preset 4
09:38 – Cleaner setting on the Classic Gain channel
10:44 – Various TS9DX settings
23:13 – Have Guitar roundup talk

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez Turbo Tube Screamer TS9DX – Have Guitar review Part 1:

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

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#ibanez #ts9dx #turbotubescreamer

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Turbo Tube Screamer TS9DX by Ibanez (Pedal demo/test/review – Part I)

Let’s kick of the new year year with a premier! What’s new, you ask? A pedal frenzy but this time I don’t run the pedal through the Kemper but through my new tube amp – Marshall DSL20HR! Shock, surpize and hurrahs – finally!

So this is the first part of my review of the Ibanez Turbo Tube Screamer TS9DX. When I was editing the video, I decided to split it in two parts when I reached 20 minutes and had about the same amount of material left… I don’t know if that is a good idea or not but I just felt around 20 min’s are enough for one video. This first part contains tests of all four different modes (TS9, +, Hot and Turbo) plus I go through the three controls (Gain, Level and Tone).

I have included both the mic’ed amp and sound from the room mic’s as I think that gives the most honest sound – they do sound slightly different but I’m not sure it could be done better. Part II contains the presets given from Ibanez in the manual and some additional tweaking by me and in Part II I also include the Telecaster so you’ll get sound from both humbuckers and singlecoils.

Hope you liked this video – feel free to support my channel with a subscription if you wanna see more. A first (of the year) Big Fat Thank You to all you who do subscribe!!

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Index:
04:30 – Amp sound without the pedal plus the four modes with all controls set for 12’clock
07:17 – Gain control: Low
08:04 – Gain control: 10’clock
08:52 – Gain control: 2’clock
10:06 – Gain control: Max
11:35 – Gain control: Max (in the room)
12:27 – Level control: 9’clock
13:19 – Level control: 3’clock
15:18 – Level control: 3’clock, Turbo mode (in the room)
15:48 – Tone control: Min
16:35 – Tone control: 10’clock
17:29 – Tone control: 2’clock
18:34 – Tone control: Max

Equipment used:
Ibanez TS9DX Turbo Tube Screamer
ESP Phoenix II (Seymour Duncan JB/’59)
Marshall DSL20HR
Harley Benton G212 Vintage Vertical
Kemper Profiling Amp

Ibanez TS9DX Turbo Tube Screamer

Marshall DSL20HR

Harley Benton G212 Vintage Vertical

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#ibanez #ts9dx #turbotubescreamer

Top 5 Kemper profile packs of 2020

Another year passed so it’s time to chose the five best packs of Kemper profiles that I have demoed here on Have Guitar! Or is that Top 6…? Kinda, as I have included a “bonus pack” that was really worth mentioning.

I say it in the video but it’s worth repeating; it is ridiculously hard to pick five pack out of the 35 or so profile pack that I have featured during 2020. All of them have had something that appeals to me in one way or another. Perhaps that’s a testimony of the quality you should expect from a commercial profile pack these days!

Well, that is it for this year, let’s wrap up 2020 and hope for a better 2021! I wish You a Happy New Year and I hope this evening will be great for You and your loved ones… See ya next year!!

Thanks for watching – hope you liked the video! If you wanna support my channel, feel free to use the subscription link provided below. A very Big Thank You goes out to all new and old subscribers, play hard!!

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Index:
01:27 ToneJunkie – 68 Purple Plexi
03:03 Mattfig – BE 100 3.0
05:28 Top Jimi – Dummble
07:55 Gold Lion Studio – Krank Rev 1
10:49 Live Ready Sound – Red Mars
13:21 Peter’s Crazy Profiles – Mega Pack

Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
MJT VFF Telecaster (Nocaster/Twisted Tele)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Kemper Profiling Amp

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#top5 #kemperprofiles #2020

Red Mars by Live Ready Sound (Kemper profiles demo)

Merry Christmas to you all! Here’s a new video with a new Kemper profile pack from Live Ready Sound – Red Mars! As always you can expect the highest quality when it comes to LRS and this is certainly no exception!

The Red Mars profile pack recreates the sound from a Friedman JEL100 (Jake E Lee signature) head and as always profiled with a bunch of different cab’s and mic’s. I personally haven’t seen any packs of this amp so far so this might … no, it IS kinda special! Read more about the actual amplifier on the Friedman link provided further down, it’s a limited edition by the way!

Thanks for watching Have Guitar, hope you’ll like the demo! If you wanna support my channel – use the below provided link to subscribe, it’ll be much appreciated. And to all you who do subscribe – Thank You!!!

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Equipment used:
MJT VFF Telecaster (Nocaster/Twisted Tele)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
Kemper Profiling Amp

Red Mars profile pack @ Live Ready Sound

Friedman JEL-100 @ Friedman amps

Jake E Lee @ Wikipedia

Kemper Profiling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
admin *AT* haveguitar.com
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?

#redmars #livereadysound #kemperprofiles

The Storm by Live Ready Sound (Kemper profiles demo)

There’s a storm a-coming… in the form of a new Kemper profile pack from Live Ready Sound! These profiles recreates the sound of a Mesa Boogie Electra Dyne amplifier. As always with live ready sound you will get a load of profiles if you buy this pack!

According to Mesa Boogie the Electra Dyne is an easy to use amp in the style of the “british sound”. Read more about the actual amps features on the Mesa Boogie webpage, link provided below! As far as I can tell this amp offers pristine cleans up to really dirty gain, maybe not metal per se but well, high gain is there if you fancy it!

If you like the sound of this pack – go get it now while it’s on sale! See the link to Live Ready Sound just down below!!

By the way this is a 2-video-thursday, just as a little ‘bonus’. I am aslo planning on releasing something special on christmas day, just for the heck of it.

Thanks for watching Have Guitar, hope you’ll like the demo! If you wanna support my channel – use the below provided link to subscribe, it’ll be much appreciated. And to all you who do subscribe – Thank You!!!

Subscribe to have Guitar!

Equipment used:
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Gibson SG Standard 2016 High Performance (490R/498T)
Gibson Explorer Tribute/B2 2019 (Dirty Fingers+)
Kemper Profiling Amp

The Storm profile pack @ Live Ready Sound

Electra Dyne @ Mesa Boogie

Kemper Profiling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. Why not 2389564785215?