Purple Platypus Octidrive MKII Limited Edition by Way Huge/Jim Dunlop (Guitar effect pedal)

Another pedal frenzy from Have Guitar – let’s have a closer look at the Purple Platypus Octidrive MKII from Way Huge! So this pedal is based on the Way Huge Red Llama overdrive but with an added frequency doubler and a hi-cut-control that will let you fine tune your sound.

This pedal is limited to 1000 units but I really don’t know if that is a really small number of units when it comes to pedals… But, it isn’t listed at Way Huge webpage so that makes me guesstimate it’s a lesser production.

So what can you expect from this pedal? Well it’s basically a fuzz but with that doubler it’s kinda different from a any ordinary fuzz. When you hit the gas with this pedal you might notice that it doesn’t always handle multiple notes at the same time too well. Or maybe you’ll like that, who knows?! For me it’s not too useful on an everyday basis but you can get some really fat weird noises with it, that might have it’s place where you’re going.

That’s it, hope you liked this demo/review! If you wanna support my channel – subscribe! Anyways, thanks for watching!! A very sincere Thanks to all you who subscribes!!!

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Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Way Huge/Jim Dunlop Purple Platypus Octidrive MKII
Fulltone OCD overdrive
Kemper Profiling Amp

Way Huge pedals @ Jim Dunlop

Way Huge Purple Platypus Octidrive MKII @ Andertons UK

Fulltone OCD

Kemper Profiling Amp

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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve. (238956478521565484)

#wayhuge #purpleplatypusoctidrive #pedalfrenzy

Flux-Drive by Mesa Boogie (Pedal review / test / demo)

Review by Have Guitar!

The Mesa Flux-Drive is the overdrive pedal for those who want more of all the best things from an overdrive, according to Mesa themselves. Is that so? The Cambridge dictionary states that the word “flux” means “continous change”. Well, that makes no sence what so ever…

As an overdrive the Flux-Drive surely makes the job you’d expect from an overdrive, it really helps shaping what you already got soundwise rather than recreating the tone. The bass and treble controls gives you additional control over the sound, which is always welcome. These EQ controls are just set enough according to me, they will change the sound but not drastically so.

Also I must add that some of the sound demos in the video actually sounds better now, when listening to the video than what I felt about them whilst playing. The Flux-Drive was nice pedal to try out but for me personally – it is not a pedal that I will buy in the future (the pedal in the video was borrowed).

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Video index:

00:55 – Base sounds for controls demo (Fuchs Blackjack 21 MKII)
01:49 – Flux-Drive Level control
02:55 – Flux-Drive Gain control
04:14 – Flux-Drive Bass control
05:12 – Flux-Drive Treble control
06:26 – Ballad backing track w/wo pedal
07:09 – Clean sound used for presets
08:50 – Gain sound used for presets
09:21 – Preset: Mid Gain Crunch
10:10 – Preset: Singing Solo
11:40 – Preset: Flux Bump
12:57 – Preset: Slam It
13:53 – Presets talk/conclusion
14:54 – ToneJunkie Lowman 65 without pedal
15:52 – ToneJunkie Lowman 65 with pedal
17:03 – Blues backing track w/wo pedal
17:36 – End words

Equipment used:
Mesa Boogie Flux-Drive
ESP Phoenix II (Seymour Duncan JB/’59)
Green ‘White Dove’ SG (Lundgren The One)
Kemper Profiling Amp

Flux-Drive @ Mesa Boogie website

Profile packs used in this video –

ReampZone Fuchs Blackjack 21 MKII Kemper profiles

ReampZone Orange TH30 (Modded) Kemper Profiles

ToneJunkie 65 Lowman Amp Pack

Live Ready Sound 79 Mini Bender

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#mesaboogie #fluxdrive #review

Blues Driver BD-2 by BOSS (pedal review / test)

Pedal Frenzy by Have Guitar!

It is not new but it’s a classic – the BOSS Blues Driver BD-2. A well placed product that came out around the time of the ‘blues boom’ of the mid 90’s. It’s an overdrive for the blues players and many others…

There’s really not much more to say, watch the video – I hope you’ll like it! If you do, support me with a subscription!

A very big, varm and bluesy Thanks! to all my subscribers!!!

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Video index:
00:56 – Clean & Gain sound used for control tests
01:30 – BOSS Blues Driver BD-2 Gain control
02:52 – BOSS Blues Driver BD-2 Level control
03:33 – BOSS Blues Driver BD-2 Tone control
04:44 – BOSS Blues Driver BD-2 Mixed settings
05:46 – Blues backing track with/without the pedal
06:16 – Runthrough of the pedals presets
14:01 – Pink Floydish backing track with/without the pedal

Equipment used:
BOSS Blues Driver BD-2
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Green SG ‘White Dove’ (Lundgren The One)
Kemper Profiling Amp

Blues Driver BD-2 @ BOSS Website

In Praise of the Humble, Underrated Boss Blues Driver @ Reverb.com

The following profile packs was used in the video:

ReampZone – Diezel Einstein 100 Kemper profiles

ReampZone – Marshall JMP Super Lead 1976 Kemper profiles

ReampZone – Dumble ODS 50W HRM Kemper profiles

ToneJunkie – Sugar 16 Kemper profile pack

Kemper Profling Amp

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#boss #bluesdriver #bd2

Yngwie Malmsteen Overdrive by Fender (pedal review/demo)

Yngwie Malmsteen Overdrive by Fender (pedal review/demo)

This video is a review / demo of the Fender Yngwie Malmsteen overdrived pedal. I suppose everyone knows who Yngwie is, a guitarist who was part of creating what became called “neoclassic metal” and he has had a huge influence on guitar players all over the world. So… this is his signature overdrive pedal!

Now I say it in the video and I’ll repeat it here; don’t expect me playing anything like Yngwie in this video! I’m not that kind of guitarist and frankly I don’t wanna be (said without bashing the man himself in any way!).

As for the pedal it-self – it has true bypass, metal casing, can be run with a 9-volt-battery or external power supply. It has only two controls – volume and gain. I know some people consider this the best overdrive out there, everyones taste is different! Me, I like it, but it is not my favourite overdrive pedal. Let me know in the comments what You think about it!!

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Equipment used:
Fender Yngwie Malmsteen Overdrive
ESP Phoenix II (Seymour Duncan JB/’59)
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Profiles used in this video:

ReampZone – Marshall JMP Super Lead 1976

ReampZone – PRS Archon 100

ReampZone – Orange TH30 (Modded)

Live Ready Sound – Unchained

Kemper Profling Amp

Wanna get your music online to all those major streaming services? Use this link to signup for DistroKid and you will get 7 % off Your first years membership!

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

#fender #yngwiemalmsteen #overdrive

Dry Martini by Tone City (Review / Demo / Showcase)

Pedal Frenzy by Have Guitar!

The American writer E.B. White said about the Dry martini; “the elixir of quietude”, which of course is something you couldn’t (or maybe shouldn’t) say about an overdrive pedal like the Tone City Dry Martini… (yes, he was talking about the drink).

So this is a demo/review of the Tone City micro pedal Dry Martini. This is a clone of the Fulltone OCD pedal and features about the same controls as the OCD; Volume, Tone, Gain and a high/low gain switch. The gain is best described as low to medium with a punchy character (think a tube amplifier at its ‘sweet spot’). It should be noted that the latest version of the Fulltone OCD has some features that the Dry Martini hasn’t; like the ‘Enhanced bypass’ for example.

This video is all about the Tone City Dry Martini on its own, no comparison with the Fulltone OCD. If not already out, I will soon release a “blind test” video where you can test if you can spot which is the original pedal (or which of them you would prefer). I’ve used one clean sound and one slightly overdriven sound for this review, should be noted that due to a malfunction the sound in the overdriven sound part of the video is captured by room microphones.

Hope you like the video – support Have Guitar! with a subscription! I’m very grateful to all you who already do, Thanks!

Equipment used:
Gibson Les Paul Standard ’76
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Tone City Dry Martini
Kemper Profiling Amp

Video Index –
01:47 – ToneJunkie Brown Eyed Girl (BE100), clean sound/profile w/o pedal
02:41 – Dry Martini 12’clock setting
04:13 – Dry Martini volume up
04:43 – Dry Martini Tone control at low gain
06:43 – Dry Martini Tone Control at high gain
08:58 – Low gain w High gain switch activated
11:02 – All controls maxed, high switch on
11:44 – More Low gain testing
15:09 – Fiddlin’ with the guitar tone control
16:05 – Various settings on the Dry Martini
16:49 – Live Ready Sound Fukes ODS (Fuchs), crunch sound/profile w/o pedal
17:30 – Dry Martini 12’clock setting
18:53 – Low gain settings
20:19 – High gain settings
21:14 – End words

(Tone City’s webpage has been ‘under maintenance for a long while, so I’ve listed a couple of EU retailers instead.)

Tone City Dry Martini @ Musik Produktiv

Tone City Dry Martini @ Andertons

Fulltone OCD

Profiles used in this video from –

ToneJunkie

Live Ready Sound

Kemper Profling Amp

Martini (the drink!) @ Wikipedia

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Contact:
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And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

Golden Plexi by Tone City Audio (Guitar pedal review, test, sound demos)

Pedal Frenzy by Have Guitar!

A golden small metal box that brings out the sound from a Marshall Plexi amp, is that possible? With ToneCity Audio’s Golden Plexi it is and that is the subject for this video! It is small, it is cheap and it can make your tones scream like a pig on fire. Well… actually it will sound better than that… I never lit a pig on fire but I do imagine this sounds better…

I must just say this, I kinda ran into a problem when I was trying out the pedal. It sounded fantastic when I used it with a clean tone but as soon as I switched to a profile with some gain it immediately became too much. Too fat, too compressed and just too much in general! I guess I had not done my homework properly on this pedal, seems to be intended to be plugged in to the clean channel of an amplifier.

As I usually use the same guitar for the whole video when it comes to effetc pedals, due to the above fact I used different guitars with different clean profiles instead. You know, trying to create a video with more overview perspective so to speak.

This demo/review is done with a Kemper Profiling Amp, with the stomp box plugged in to the front of the Kemper. The Kemper sounds and reacts very much like a classic (or modern!) tube amp and it takes pedals just a real amp. Just wanna make that clear!

And there we are! I hope you like the video – comments, both positive and negative are welcome – I’m always looking for opinions to make my videos better. Wanna support me? Subscribe to Have Guitar! Likes and sharing the videos are also welcome. A big Thank You goes out to all of you who already subscribe!!!

Equipment used:
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
ESP Phoenix II (Seymour Duncan JB/’59)
Gibson Explorer Tribute 2019 (Dirty Fingers+)
Harley Benton TE70 Black Paisley (Fender Texas Specials)
Kemper Profiling Amp

Tone City Golden Plexi @ Musik Produktiv

Tone City Golden Plexi @ Andertons

Carl Martin website

Guitar Interactive Magazine review of Carl Martin PlexiTone

Kemper Profling Amp

Profilers in the order that they appear in this video –

ToneJunkie – 63 Trem-Luxe

SGL Profiles – Dirty 40

Live Ready Sound – Ruler of Amps

Gold Lion Studio – Budda Superdrive 80

Deadlight Studios – S.P.A.W.N. Quick Shot

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

Thunderball by Mooer – Winner of the Giveaway!

Yep, this is the video where I draw the winner of the bass distortion/fuzz pedal Mooer Thunderball – nothing more, nothing less.

Thanks to all you who participated – and watch the video, there’s some information to possibly cher you up if you didn’t win!

Also a big thanks to all new and old subscribers – you make me rock hard as Kiss once put it! 🙂

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

SLX900 by Mattfig (Kemper profiles demo)

Rig Showcase by Have Guitar!

Another ‘bonus video’ – and it’s a also a brand new pack from Mattfig – the SLX900. This Kemper profile pack recreates the sound from a Marshall JCM900 SL-X and you’ll get 30 studio profiles and 10 direct profiles.

The amp seems to be very much about high gain and as such you will get some fat tones with that classic Marshall sound included. All in all a good pack of beefy sounds that you might not wanna miss out on…

If you like this video and wanna support my lil’ independent channel – subscribe! A firm salute to all you who do subscribe, thanks!!!

Equipment used:
ESP Phoenix II (Seymour Duncan JB/’59)
Ibanez DTT700 (DiMarzio D Activator-X)
Tone City Sweet Cream overdrive
Kemper Profiling Amp

SLX900 @ Mattfig webshop

GIVEAWAY – TMS Profiles – JCM8 2203 Combo pack

Tone City Pedals

Kemper Profling Amp

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

JCM8 2203 Combo by TMS Profiles & Giveaway (Kemper profiles demo)

Rig Showcase & Giveawy by Have Guitar!

Last minute GIVEAWAY!
Just before I published this video, TMS Profiles was so kind as to let me do a five pack giveaway of this pack!! So if you wanna be one of five winners of the full JCM8 2203 Combo pack join in!

Send a mail to admin (at) haveguitar.com (change the (at) to a @), topic should be ‘TMS JCM8’ and you’re in. Yep,that is all you need to do! Winners will be presented in a video here at Have Guitar after the deadline.

DEADLINE for this giveaway: 31:th of August 2019 23:59. Good luck!

Here’s a brand new profile pack from TMS Profiles – the JCM8 2203 Combo! This profile pack recreates the sound from a Marshall JCM800 2203 Combo amplifier from the 80’s. Does it sound like a Marshall? You bet!

This pack brings 80 Merged profiles and 8 Direct profiles, profiled with ten different cabs like Mesa Rectifier V30 4×12 , Marshall 1960B Creamback 4×12 and Zilla Fatboy 2×12 V30 to mentioned some. Some pedals have been included too; Tube Screamer, MXR Badass OD and Boss SD-1.

Those 88 Kemper profiles goes from clean to high gain and guarantees a classic Marshall tone suitable for anything from pop to metal. I’ve also added the Tone City Sweet Cream overdrive pedal to boost or color some of the demos.

And that is it, I hope you like the video & thanks for watching Have Guitar! A subscription is always welcome if you wanna support me… And a direct, honest and warm Thank You to all who already do subscribe!!!

Equipment used:
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Gibson Explorer Tribute 2019 (Dirty Fingers+)
Tone City Sweet Cream overdrive
Kemper Profiling Amp

TMS JCM8 2203 Comb0 @ TMS Profiles

Tone City Pedals

Kemper Profling Amp

Why don’t you Follow Have Guitar! on social media:

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Instagram

Facebook

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

Sweet Cream by Tone City – overdrive pedal review & sound demos

Demo by Have Guitar!

Intrigued by the sound a fellow Swedish guitar player got out of the Tone City Sweet Cream, I just had to get me some of these pedals. He was actually using the Tone City Sweet Cream together with the Tone City Golden Plexi, a great pair! (I do think it was Rob Chapman who started pairing them up!) However this video is just the Sweet Cream, I’ll publish another one with bort later on.

The Sweet Cream is an overdrive pedal that will serve you a fluid and creamy sound. It can do that lovely just breaking up tone but it can also generate some bite – but not like an aggressive metal tone. As mentioned above it works fine together with other pedals as well.

The pedal is small and very easy to use with only three controls – gain, volume and touch. The touch control isn’t like your normal tone control, it alter the sound in a little more complex way. As for the volume control, well it feels like it does more than just alter the volume, higher settings seems to add more bite and punch to the sound.

So the pedal has a simple and effective design and comes at a very affordable price. According to various sources it is based on the Mad Professor Honey Overdrive, so you can compare the price difference yourself… I do wish I had one of those so I could have made a side by side test but unfortunately I don’t.

I hope you like this demo, there will be a bunch more Tone City pedal reviews coming up here at Have Guitar! Feel free to subscribe to Have Guitar!, your support is needed! And as always; Thank You to all you who already subscribes – much obliged!!!

Video index:
01:30 – Clean tone, gain 0/10 (ToneJunkie – Empire pack, recreates the sound of a Tone King Imperial)
11:00 – Low gain, gain 2/10 (TMS Profiles – TMS V90 Mesa MK V, recreates the sound of a Mesa Boogie Mark V 90 watthead)
14:07 – Low gain, gain 3/10 (ReampZone – Marshall JMP Super Lead 1976)
18:30 – Light crunch, gain 4/10 (Live Ready Sound – 79 Mini Bender, recreates the sound of a Fender Champ 1979)
20:48 – High gain, gain 7/10 (Deadlight Studios – Ladoka Mr Hacktor MKII, recreates the sound of a Laboga Mr. Hector MK2)
23:40 – End talk/conclusion

Equipment used:
Tone City Sweet Cream overdrive
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Tone City Pedals

Get your Sweet Cream here (Germany)

Get your Sweet Cream here (UK)

Kemper Profling Amp

Profilers in the order they appear in the video:

ToneJunkie

TMS Profiles

ReampZone

Live Ready Sound

Deadlight Studios

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.