Golden Plexi by Tone City Audio (Guitar pedal review, test, sound demos)

Pedal Frenzy by Have Guitar!

A golden small metal box that brings out the sound from a Marshall Plexi amp, is that possible? With ToneCity Audio’s Golden Plexi it is and that is the subject for this video! It is small, it is cheap and it can make your tones scream like a pig on fire. Well… actually it will sound better than that… I never lit a pig on fire but I do imagine this sounds better…

I must just say this, I kinda ran into a problem when I was trying out the pedal. It sounded fantastic when I used it with a clean tone but as soon as I switched to a profile with some gain it immediately became too much. Too fat, too compressed and just too much in general! I guess I had not done my homework properly on this pedal, seems to be intended to be plugged in to the clean channel of an amplifier.

As I usually use the same guitar for the whole video when it comes to effetc pedals, due to the above fact I used different guitars with different clean profiles instead. You know, trying to create a video with more overview perspective so to speak.

This demo/review is done with a Kemper Profiling Amp, with the stomp box plugged in to the front of the Kemper. The Kemper sounds and reacts very much like a classic (or modern!) tube amp and it takes pedals just a real amp. Just wanna make that clear!

And there we are! I hope you like the video – comments, both positive and negative are welcome – I’m always looking for opinions to make my videos better. Wanna support me? Subscribe to Have Guitar! Likes and sharing the videos are also welcome. A big Thank You goes out to all of you who already subscribe!!!

Equipment used:
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
ESP Phoenix II (Seymour Duncan JB/’59)
Gibson Explorer Tribute 2019 (Dirty Fingers+)
Harley Benton TE70 Black Paisley (Fender Texas Specials)
Kemper Profiling Amp

Tone City Golden Plexi @ Musik Produktiv

Tone City Golden Plexi @ Andertons

Carl Martin website

Guitar Interactive Magazine review of Carl Martin PlexiTone

Kemper Profling Amp

Profilers in the order that they appear in this video –

ToneJunkie – 63 Trem-Luxe

SGL Profiles – Dirty 40

Live Ready Sound – Ruler of Amps

Gold Lion Studio – Budda Superdrive 80

Deadlight Studios – S.P.A.W.N. Quick Shot

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.

Trace Elliot ELF & Fender Rumble – A portable & cheap bass rig!

Review, test & sound demo by Have Guitar

In this video I’ll demo and talk about my bass rig, a Trace Elliot ELF Bass Head amplifier and a Fender Rumble 115 cabinet. I was looking for a portable and not too expensive rig as I accepted the part as a bass player in a local band. I was a bit worried if this would be loud enough for a band situation but it has proven itself to be good enough and then some… (band setting is drummer and two guitarists playing through ‘lunch box’ tube amps).

So, the Trace Elliot ELF is a very small amp that actually could fit in the backpocket of your jeans. Unless you wear a very tiny size of jeans course. According to me and my taste it sounds great – together with my Thunderbird bass it delivers a loud punchy roar. The sound in this video is a mix of the lined signal (XLR into my soundcard, Focusrite Scarlett 6i6 2nd gen) and the Fender Rumble 115 cab mic’ed with a Shure SM57, I felt that gives the best represenation of how the rig sounds.

I got the Fender Rumble 115 cab on a sale for less then half of the list price so I actually managed to buy a well sounding and compact bass rig for less than 5000 Swedish crowns (c:a 518 US Dollar or 465 Euros). For the price I payed for the Rumble I can’t find anything negative to say about, it sounds great together with the ELF!

I’ve tried be record this video somewhat methodically – going through the three EQ option in order to show how they affect the sound. Would have been nice if I would have had another bass to add in but I don’t plan on spending any more money on basses. Right now that is.

I do hope you like this video, a usbsctiption is welcome if you do… well, it’s welcome if you don’t too. There’s a new video released every Thursday on my channel and hopefully they get better as time goes by. I would like to express my gratitude to you who subscribe – it is very much appreciated so Thank You!!!

Video index:
01:54 – EQ Treble
03:07 – EQ Middle
03:58 – EQ Bass
04:56 – Various settings
06:51 – End talk/conclusion

Equipment used:
Epiphone Thunderbird
Trace Elliot ELF Bass Head
Fender Rumble 115 Bass cabinet

Trace Elliot ELF Bass Head

Fender Rumble 115

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Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

Recorded with a Sony FDR-AX100, Sony XLR-K2M, Rode NT-2a, edited in Reaper DAW and Davinci Resolve.
Guitar signal line (unless other noted) is Kemper – SPDIF – Focusrite Saffire 6i6 2nd gen – USB – Computer/Reaper.

Sweet Cream by Tone City – overdrive pedal review & sound demos

Demo by Have Guitar!

Intrigued by the sound a fellow Swedish guitar player got out of the Tone City Sweet Cream, I just had to get me some of these pedals. He was actually using the Tone City Sweet Cream together with the Tone City Golden Plexi, a great pair! (I do think it was Rob Chapman who started pairing them up!) However this video is just the Sweet Cream, I’ll publish another one with bort later on.

The Sweet Cream is an overdrive pedal that will serve you a fluid and creamy sound. It can do that lovely just breaking up tone but it can also generate some bite – but not like an aggressive metal tone. As mentioned above it works fine together with other pedals as well.

The pedal is small and very easy to use with only three controls – gain, volume and touch. The touch control isn’t like your normal tone control, it alter the sound in a little more complex way. As for the volume control, well it feels like it does more than just alter the volume, higher settings seems to add more bite and punch to the sound.

So the pedal has a simple and effective design and comes at a very affordable price. According to various sources it is based on the Mad Professor Honey Overdrive, so you can compare the price difference yourself… I do wish I had one of those so I could have made a side by side test but unfortunately I don’t.

I hope you like this demo, there will be a bunch more Tone City pedal reviews coming up here at Have Guitar! Feel free to subscribe to Have Guitar!, your support is needed! And as always; Thank You to all you who already subscribes – much obliged!!!

Video index:
01:30 – Clean tone, gain 0/10 (ToneJunkie – Empire pack, recreates the sound of a Tone King Imperial)
11:00 – Low gain, gain 2/10 (TMS Profiles – TMS V90 Mesa MK V, recreates the sound of a Mesa Boogie Mark V 90 watthead)
14:07 – Low gain, gain 3/10 (ReampZone – Marshall JMP Super Lead 1976)
18:30 – Light crunch, gain 4/10 (Live Ready Sound – 79 Mini Bender, recreates the sound of a Fender Champ 1979)
20:48 – High gain, gain 7/10 (Deadlight Studios – Ladoka Mr Hacktor MKII, recreates the sound of a Laboga Mr. Hector MK2)
23:40 – End talk/conclusion

Equipment used:
Tone City Sweet Cream overdrive
Fender American Standard Stratocaster (Shawbucker/Custom 50’s)
Kemper Profiling Amp

Tone City Pedals

Get your Sweet Cream here (Germany)

Get your Sweet Cream here (UK)

Kemper Profling Amp

Profilers in the order they appear in the video:

ToneJunkie

TMS Profiles

ReampZone

Live Ready Sound

Deadlight Studios

Contact:
admin *AT* haveguitar.com
(turn that into a regular email adress … did this to avoid spam!)

And don’t forget – Fret Nut… Have Guitar! Recorded with a Sony FDR-AX100, Reaper DAW and edited in Davinci Resolve.