It’s time for another Kemper Rig Showcase and here’s TonCrate’s Febuary Kemper bundle – Clean Gain! So previsously there has been a slight focus on the heavy stuff but here is the opposite just as the bundle name suggests. Here you will get a bunch of profiles on the low gain area, from clean to crunch I’d say.
As ToneCrate recommended I have added in the Electro Harmonix Soul Food overdrive. For those of you who don’t know about the Soul Food it’s practically a clone of the Klon Centaur – that means transparent overdrive. And what’s that? Well, I’d say it takes what you got soundwise and boosts that without too much coloration. It doesn’t mess around too much with EQ.
And that’s about it, hope you liked the video! Feel free to support my channel by a subscription… we’re closing in on 2000 sub’s, once that is reached there will be a (pedal) giveaway to celebrate. Thank you goes out to all the already subscribers!!
Gibson Les Paul Standard 1976
Fender Stratocaster American Standard 2014
Electro Harmonix Soul Food
Kemper Profiling Amp
In this video we’ll take an extensive look at the Marshall DSL20H tube amplifier – can you get a better tube amplifier in this price range?! This little head can do most styles and let have a look at the spec’s:
2 Channels (Classic gain and Ultra gain)
20W switchable to 10W
Outputs: 3 x 1/4″ (16/8 Ohm load) + 1 x 1.35 mm jack emulated line out
Inputs: 1 x 1/4″ instrument jack, 1 x 1,35 mm jack aux in, footswitch
FX Loop w Send/Return
Digital Reverb built-in
Preamp valves: 3 x ECC83
Power amp valves: 2 x EL34
Weight: 9.7 kg / 21 lbs
So this is small and light, can go from close to clean to screaming gain, has loads of EQ options and can be bought brand new for less than 390 euros / 440 USD. I was totally impressed by this little power pack and would not mind getting one myself.
Would also like to throw in that this was the first time we recorded at this location, the light was worse than I though so next time I’ll bring my studio lights. Also the sound is picked up as we hear it in the room but, next time I think still I should place the microphones close to the speaker.
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Orange 2×12 Cab
Gibson 2019 Explorer Tribute
Fender Telecaster Reissue ’52 Custom shop
Gibson Les Paul Studio 2008
Harley Benton Vintage Overdrive
MXR ZW-44 Zakk Wylde Berzerker Overdrive
Gibson Explorer Tribute 2019 – Unboxing
A video by Have Guitar
Well, it has been awhile since I bought something new and I had kinda promised myself not to do it… and then came along the new 2019 line-up from Gibson and goodbye self control.
I do believe there are quite a few nice new models from Gibson but man… their prices has gone up! The previous Tribute models I have seen has been Les Pauls and in Sweden they have been sold for around 1000 USD. This tribute model has a list price from Gibson 1399 USD! And the High Performance series have increased as well.
But anyways, a Gibson Explorer has been on my “to-get-list” since long before I even started playing guitar and this Tribute 2019 just has a stylistically pure design that just spoke out to me. Makes it look raw and clean! Also the Dirty Finger+ pickups has some good rep around the Internets so here we go! This is only the unboxing video, although there is a small sound example included… a thorough review should be up around end October I hope.
And that’s it! Hope you will like this video and if you do – please do support my persistent crazyness by subscribing, it helps a lot! To all you subscribing already – you are the best and Thank You!
Equipment used in this video:
Gibson Explorer Tribute 2019
Harley Benton Vintage Overdrive
Minotaur Checkers Ribbon Strap Black
Yeah, as said in the video I wasn’t planning for a video like this but then someone pushed me a bit about it and frankly, well, a guitar channel should mention something about a situation like this, right? Gibson isn’t throwing in but it’s kinda obvious they have made some bad business decisions… and I think it’s the number crunchers, those economists that really has no feeling what an iconic product like Gibson should be all about.
Anyway, here you have my rambling and here’s some more detailed information for those who wants it:
“[Gibson] and its U.S. subsidiaries today filed pre-negotiated reorganization cases under Chapter 11 of the U.S. Bankruptcy Code. The filings will allow the Company’s Musical Instruments and Professional Audio businesses to continue to design, build, sell, and manufacture legendary Gibson and Epiphone guitars, as well as KRK and Cerwin Vega studio monitors and loud speakers, without interruption.”
This news follows months of rumors and speculation regarding the company’s financial and business future centering on the maturation of a series of bonds worth upwards of $500 million this summer. According to the Gibson statement, “The Company has reached a ‘Restructuring Support Agreement’ with holders of more than 69.0% in principal amount of its 8.875% Senior Secured Notes due 2018, and its principal shareholders, that clears the pathway for the continued financing and operations of the musical instruments business as well as a change of control in favor of those noteholders.”
This agreement to transfer control of the company to existing noteholders includes an additional $135 million in debtor-in-possession financing to allow the company to continue operations through this transitional period. As part of this process, Gibson will wind-down operations of its Gibson Innovations business which includes its Philips consumer electronics subsidiary. The acquisition of Philips’ electronic division in 2014 is viewed as a major source of the Gibson’s illiquidity over the past several years.
According to longtime CEO Henry Juszkiewicz—who prior to this reorganization owned 36% of the company per court documents—”… this process will be virtually invisible to customers, all of whom can continue to rely on Gibson to provide unparalleled products and customer service.”
Mr. Juszkiewicz will remain in his position as CEO for the time being, though some sources have indicated that a change in management will likely occur under pressure from existing debt-holders.” – Source: reverb.com
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Have Guitar proudly presents a review video of the Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. – a guitar you won’t find every day as it’s a limited edition model. Now matter if you like Ace Frehley or not this is one fine Les Paul Custom, there is no doubt about that. The Budokan Les Paul Custom V.O.S. was manufactured in a stricly limited edition of 50 hand-aged (reliced) and signed by Ace Frehley, 100 hand-aged/reliced and 150 guitars treated in Gibson Customs VOS process (Vintage Original Specification).
According to Gibson “the Ace Frehley “Budokan” Les Paul Custom is a painstaking recreation of Frehley’s modified Les Paul Custom, based on intimate examination of the instrument’s current condition.” Well, I can tell you with that Dimarzio Super Distortion pickup you will get that sound that you can hear in the live videos from the mid seventies when KISS performs live.
In this video Have Guitar will showcase the Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. in 4K video and of course there will be sound examples both live in the room as well as lined recordings. Something that I personally really like about this Les Paul is that it’s a real signature model, in that aspect that it’s an authentic replica of a vintage Gibson Les Paul Custom. It’s not like “the 300” signature model that was released in 1997, that had Ace Frehley’s makeup on the headstock – sure they are also a limited run and probably highly collectable but it’s not a guitar that is historically correct in that aspect. The Budokan Les Paul is much more the real deal according to me and whilst this is not my guitar I can tell ya – I would love to own one…
And that’s it! I hope you like the showcase of this Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. – a very big thanks to Klas, who was so generous as to lend me this rare Les Paul – that is very much appriciated!!! I never thought I would even get close to one of these but thanks to him I did… so if you liked the video, there’s more where that came from!
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