Have Guitar is very pleased to present the first Kemper Rig Showcase based on a pack from SinMix: SplanPM Pack! A sweet bunch of Kemper profiles based on a Splawn Pro Mod amplifier – 51 profiles so heavy it should be a crime not get this rig pack. I’m pretty sure SinMix aims this pack for metal players, but hey there’s more to it than metal if I can have my say. Just listen (and feel free to watch it at the same time) to the examples in this video… some really nice sounds right there!
This pack will be tested with the following guitars: Fender American Standard Stratocaster (HSS, with a Shawbucker), Harley Benton TE70 Black Paisley (with Fender Texas Specials) and the ESP Phoenix II. You’ll get both lined and live in the room examples and some recordings over backing tracks to present how these Sinmix profiles sounds in the mix.
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Have Guitar proudly presents a review video of the Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. – a guitar you won’t find every day as it’s a limited edition model. Now matter if you like Ace Frehley or not this is one fine Les Paul Custom, there is no doubt about that. The Budokan Les Paul Custom V.O.S. was manufactured in a stricly limited edition of 50 hand-aged (reliced) and signed by Ace Frehley, 100 hand-aged/reliced and 150 guitars treated in Gibson Customs VOS process (Vintage Original Specification).
According to Gibson “the Ace Frehley “Budokan” Les Paul Custom is a painstaking recreation of Frehley’s modified Les Paul Custom, based on intimate examination of the instrument’s current condition.” Well, I can tell you with that Dimarzio Super Distortion pickup you will get that sound that you can hear in the live videos from the mid seventies when KISS performs live.
In this video Have Guitar will showcase the Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. in 4K video and of course there will be sound examples both live in the room as well as lined recordings. Something that I personally really like about this Les Paul is that it’s a real signature model, in that aspect that it’s an authentic replica of a vintage Gibson Les Paul Custom. It’s not like “the 300” signature model that was released in 1997, that had Ace Frehley’s makeup on the headstock – sure they are also a limited run and probably highly collectable but it’s not a guitar that is historically correct in that aspect. The Budokan Les Paul is much more the real deal according to me and whilst this is not my guitar I can tell ya – I would love to own one…
And that’s it! I hope you like the showcase of this Gibson Ace Frehley “Budokan” Les Paul Custom V.O.S. – a very big thanks to Klas, who was so generous as to lend me this rare Les Paul – that is very much appriciated!!! I never thought I would even get close to one of these but thanks to him I did… so if you liked the video, there’s more where that came from!
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A new ‘bonus’ video from Have Guitar! Gotta celebrate a little when the number of subscribers passed over 200 – thanks! So, this is really exactly what the title says – noodlin’ around with some of the new Mbritt profiles that came with the 2.0.18 update for the Kemper Rig Manager software. It’s no full playthrough of all the Michael Britt profiles, I just played around with some of the ones that I liked and taped it at the same time…
I hope you like the video and thanks for watching Have Guitar! If you do like it, why not subscribe to the channel? It’s just a click on that subscribe button for you but for the channel it means the world – every subscriber counts… so thanks in advance!
Have Guitar proudly presents a Rig Showcase for ReampZones Marshall JCM 800 Lead Series 1987 Kemper profile pack. It’s practically a rock and roll machine and in this pack you’ll get 20 studio profiles and 5 direct profiles. This screams classic Marshall amplification but a bunch of boosts such as the Suhr Riot and Klon Centaur has been used in the profiling process (for a full list see the below link to ReampZones website) which provides expanded tonal abilities. The profiles are tested with a Fender American Standard Stratocaster (Shawbucker) and an ESP Phoenix II.
The Marshall JCM 800 series was introduced in 1981 (even though the Marshall 2203 and 2204 had been in production since 1975) an d lots of metal and rock band used this amplifier in the 80’s. Did you know that the name “JCM 800” comes from Jim Marshalls initials together with the numbers from the number plate on his car?
In this video Have Guitar! will give away previously unpublished profile from ReampZones Fuchs Black Jack 21 MKII Kemper profile pack. Just watch the video and find the give-away-link to get this Kemper profile for free! Many thanks to ReampZone for this generous offer!
I hope you like the video and if you; please consider subsribing to Have Guitar! It’s just a click on the subscribe button but it gives tremendous support to the channel and will be much appriciated!!
Have Guitar takes a look at the built-in distortion effects / stompboxes in the Kemper Profiling Amp. There are seven of them; distortion, overdrives and fuzz… all trying to emulate the real deal like TS-808, MXR Distortion+, Electro Harmonix Big Muff and the ProCo Rat – to mention some of them. All of these seven distortion effects will be applied to the same profile (Orange TH30 (Modded) from ReampZone) in this video to make it easier to hear how they affect the sound and also to make it easier to hear the difference between these Kemper effects. And what would a rundown like this be worth if we didn’t turn the knobs? I’ve tested them all in four different settings (where possible as some of them doesn’t have a tone control) for maximum diversity.
Some say the distorion effects in the Kemper Profling Amp are sub-par but I really don’t know if I agree on that statement. Now, many profiles comes with gain enough allright and some profiles has been created withreal stompboxes in the chain as boosts but that doesn’t mean you cant activate these built-in effects to tweak and/or color the profile according to your taste… you kan keep the gain up but the volume up to strenghten the tone a bit, color the sound with some more / less treble or low / high pass filters through the tone control. The options are endless and the hunt for the perfect sound never stops!
I hope you’ll like the video – don’t forget to hit the Subscribe button if you do! And don’t forget – fret nu… Have Guitar!
02:45 – Reference tone
03:07 – Short on adding effects
04:11 – Grean Screem (TS-808)
06:11 – Plus DS (MXR Distortion+)
07:52 – One DS (Boss DS-1)
09:59 – Muffin (EH Big Muff)
12:11 – Mouse DS (ProCo Rat)
14:00 – Fuzz DS (Dunlop Fuzz Face)
15:54 – Metal DS (Boss Metal Zone)
In this video from Have Guitar, just as the title says – it’s delaymania! Wait a minute… the title says ‘revisited’?! Yes, that’s right. It’s just a video of me playing around with the new delays from the beta upgrade for the Kemper – you just have love delays… so I hope you’ll like it! And if you do – please subscribe to the channel! It’s free to subscribe and it adds tremendous support for the channel!
Allright, so here’s a Have Guitar-video on the topic of the built-in effects in the Kemper Prodiling Amp. It’s very basic, just to get you going, kinda like a start/tutorial video. But, also included is a section on how to connect an external stompbox through the Kempers effect loop.
More info on how & why effects loop should be used:
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Have Guitar presents: a Rig Showcase of a great Kemper rig pack from Michael Britt – the Driftwood Mini Nightmare – whatta pack! This amp is a killer! Or maybe that should be rephrased to this amp has a killer sound, these Kemper profiles from Mbritt totally blew me away the first time I tried them – the tone, the sustain, the fatness and that angry but still lovely sounding gain… it’s impossible not to smile while playing these profiles! I hope you’ll enjoy it just as much as I have!!
The original Driftwood MiniNightmare amplifier comes as 45W 6L6 or 22W 6V6 (now I suppose that is like an option within the same amp, not two different versions of the MiniNightmare!). It has two channels with controls for gain, bass, mid, treble and volume. I’ll just quote from Driftwoods own information on their website:
“With the Gain switch on HIGH you will be blown away. More Gain, a little more compression and with a more modern tuning, this channel will burn the house down with fat rhythms, screaming leads and razor-sharp staccatos! Always on point, even with a lot of Gain and Bass. Chords stay crystal clear—and with the Volume knob clean sounds are possible even with this setting. Thanks to the efficient EQ you will achieve a high quality sound from ‘80s hair metal to modern core and djent.”
Have Guitar presents a short video on the new way to upgrade the Kemper OS through Rig Manager version 1.6. Way easier than before but it do take a computer with an Internet connection to do it (in this video I’m upgrading the Kemper Profiling Amp from 4.0.6 to 4.2.2. via Kemper’s Rig Manager).
If you like this video you should consider subscribing to Have Guitar! Can a majority of swedish royal court be wrong? Yes, they can – they do not subscribe to Have Guitar, so if you subscribe you’ll prove that you’re smarter than a majority of the Swedish royal court!
OK, so today is double video upload day at Have Guitar! I found (!) some clips where I explain some basic things about the Performance Mode in the Kemper. Nothing fancy but hey, it’s allready on film and why not make a video out of it! If it helps anyone that’s just fine.
Kemper performance mode is perfect for live gigs/rehearsals if you have a need to switch between different profiles / sounds. It’s like a box that can contain up to five different profilers, each one accessible from the edge of your toe if you have a foot controller for your Kemper. See all about it in this highly educational video from Have Guitar! 😉
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